2005 US Air Guitar Championships
The Key Club, Los Angeles
July 14, 2005


Words by August Brown
Photos by Wendy Lynch


“Never go up against an Asian in an air guitar
contest,” said an exhausted Dan Crane as he slouched against the speakers of the Key Club in Los Angeles. Minutes before, the New Yorker was strutting, pouting and pouring beer on his chest under the nom-de-plume “Bjorn Turoqe” (pronounced as Born-to-Rock). But a punning stage name and a Prince-worthy polyester bodysuit only earned him a second place finish, his fifth in a row, at the US Air Guitar Championships in July.

The title Turoqe missed went to “Rockness Monster” (née Fatima Hoang); a lithe Silverlake native whose demonical slow-motion air solos on “Rock You Like a Hurricane” earned him perfect scores. But the whole contest was a cheeky, boozy mess with a few frighteningly serious contestants and some moments of stage presence more compelling than half of what passes for rock and roll theatrics in 2005.

The night’s MC, a pale nobody comedian, tried to spark the crowd with a cutting-edge mix of Asian-stereotype humor (always a winning strategy in West Hollywood) and complaints about Scientology. He was met with tumbleweed silence and sporadic catcalls of “you suck!” But once the rock got underway, the vigorous and kinda-creepy spirit of the whole production emerged. “Airly Legal” jammed while wearing a Thomas the Tank Engine cape that gave off an unsettling vibe of him wanting to touch kids rather than rock them, and “Cherry Lane,” the night’s lone female contestant, gyrated like she wanted to touch everybody in the room. Last year’s LA champion, “Krye Tuff,” was slathered in enough hair grease to earn him an OPEC membership, though his Travolta-meets-emo schtick wasn’t enough to get him in the finals this year.

The most harrowing moment came when “Heavy Thundar,” fresh off a performance of Wasp’s “On Your Knees,” stopped the show and pointed furiously at judge and Matchbox 20 drummer Paul Douchette. “Your girlfriend smashed my motor home!” he shouted.

Silence. “I don’t even have a girlfriend, dude,” said Douchette, looking helplessly towards the security staff.

“She did, man. She crashed into my motor home.”

After Thundar was politely forced off, Hoang took the stage with the cool concentration of somebody about to solve an algebra problem. But the instant the slashing riff of Marilyn Manson’s “The Beautiful People” came on the PA, Hoang was an entirely different beast. His performance stayed true to the ethos of guitar shredding, but he did so while darting across the stage like a panther and lifting his air axe in exaltation to the gods. He even remembered to tune his air guitar.

“I wish I had his stage presence,” said judge Nina Gordon, co founder of nineties alt-also-rans Veruca Salt. “I’m impressed. These people have real spirit.”
The other judges were equally amused by the whole spectacle. “I think I bring a sublime aesthetic sensibility to this event,” said judge and actor John Cho, recently of Harold and Kumar Go To White Castle fame. “This is insane. It’s mythical, almost Grecian, maybe even Olympic.”

After Hoang was crowned LA champion, the regional winners from New York, Boston, Asheville, Austin, Chicago and Denver all did their best to justify taking a week off of work to fly to LA and play air guitar. By far the strangest was Asheville winner “American Breeder,” whose overalls and moustache suggested he’d rather be playing air-banjo in Deliverance 2. Then, of course, he took his pants off, and the crowd collectively beelined for the bathroom. Then came Dan Crane, Bjorn Turoqe embodied. Turoqe is somewhat of a legend in air-guitar circles, and he’s currently finishing his memoir, To Air is Human. The training showed in the cocky way he pulled from an air joint during his performance of Sweet’s “Set Me Free.”

The finals came down to Hoang, Crane and Chicago’s “William Ocean,” who took the stage with fireworks erupting from his shoes. Turoqe used Ocean’s set to change into what looked like Macho Man Randy Savage’s art-school alter-ego, costume and the Rockness Monster simply took his shirt off, revealing a perplexing tattoo consisting solely of a solid black box over his heart. At this point, Hoang was on his fourth set and was visibly exhausted, but then found the energy to stage dive into a rapturous crowd, and the judges responded with across-the-board perfect marks. “You’re the only one here without a schtick,” said Douchette, and he was right. Hoang looked like he had just nailed the parallel bars at Athens 2004.

“I really didn’t expect this,” he said after the group jam finale of “Rockin’ In The Free World.” “A lot of the moves weren’t finalized when I went on. But I’ve been in bands, and the crowd really helped. My wife is my groupie.”

Hoang now has to prepare for the world finals in Finland in late August, where the US is riding a two-time winning streak. But back at the Key Club, Bjorn Turoqe had only his parents for consolation.

“Wasn’t he fabulous?” asked Crane’s mom, Nancy Conrad. “He’s been doing this since he was young. I’ve always been absolutely supportive of everything he’s ever done with it.”

“I think this is my retirement from Air Guitar,” Turoqe answered, still sweating buckets in his spandex suit. “I was either going to Finland or going home. I think I’m going to get into air consulting or something.”


www.airguitarusa.com


8/2005