| Art
Brut
(w/ Birdmonster & Porterville)
Great American Music Hall, San Francisco
May 1, 2006
JP, AM, and I arrived somewhere towards the beginning of
Porterville's set. They are a three-piece out of Los Angeles
who play slapdash '80s music. They got several people bumping
along with their dance beats and synth lines, but the whole
thing came off as bullshit irony to me. Somewhere between
the aviator sunglasses, the headbands, the mullet, and the
singer constantly repeating "We're Guns & Roses,"
I lost interest. That and the Journey/Modest Mouse/Art Brut
cover medley.
They were actually all really good musicians, but when you're
pulling the mockery strings so hard, what's the point? It's
like if they suck, they can simply call it a joke. I felt
like their whole schtick was a bit of a copout.
Birdmonster came on second -- yet another quality San Francisco
band that I'd never heard of. JP says that they are "putting
the Springsteen back in emo." That's a good thing.
These four young men get compared to Modest Mouse a lot,
but I'm not really hearing it. The lust for a cheap can
of beer got the best of me though, and I ended up in the
alley for the tail end of their set. They are currently
touring in support of their self-released album "No
Midnight."
As the sweet, sweet opening chords of AC/DC's "Back
in Black" hit the crowd, Eddie Argos strolled out on
stage (according to AM, Argos is the name of a store in
the U.K. where you have the counter person pick out what
you want from a back room. Kind of like a department store
set up like a Napa Auto Parts.) He strolled onto the stage
and busted out with the message for the night: Form a Band!
Form a band. Rock out. Every single one of you should be
in a band. Playing music is the best thing ever. (I have
to agree.)
We were expecting some great banter from Eddie, and we were
not disappointed. He talked about how they've been
to San Francisco more times in the past few months than
they've been home. He introduced a tune with "This
next song was commissioned by AT&T." Before nearly
every song, he asked the band "Ready, Art Brut? Feeling
confident? Go!" JP commented that he was the team coach.
He put up finger quotes in the air when he described what
he does as "singing." Before the ED-related song
"Rusted Guns of Milan," he said that "one
of these people [on stage] is not very good at sex."
Argos is one funny, charming motherfucker.
Musically, the band isn't a juggernaut, but that's really
not the point. The stand-up drummer, Mikey B, provides the
propulsion and their two guitarists provide the noise and
the rock, but Argos brings the show.
The highlight of the night was the performance of "Modern
Art," my favorite song on the band's debut album. Argos
had the whole crowd chanting the song's mantra: "Modern
art/Makes me/Want to rock out!" Great stuff.
After taking a 30-second break, Art Brut came back on for
their encore -- their two remaining songs from "Bang
Bang Rock And Roll." "Emily Kane" is formerly
sad song about a girl Argos had a crush on when he was 15.
Now, according to Argos, it is a happy song, because the
real-life Emily Kane heard the song and, following its instructions,
contacted Argos and ended up talking about her two children
and her credit card debt. The power of music. "Good
Weekend" ended the set and had a sly little breakdown
with this vocal chant: "Art Brut top of the pops. Comets
on Fire top of the pops. Metallica top of the pops. Art
Brut top of the pops. Number one in Disneyland!"
By Nate Daly
http://www.artbrut.org.uk/
http://www.birdmonster.com/
http://www.portervillerocks.com/
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