| 
Ethan Miller
Comets On Fire
Top Ten Albums of 2005
(in
no order)
1. Bob Dylan: No Direction Home Soundtrack
2. Growing: His Return
3. Bill Fay: Bill Fay, Time of the Last Persecution, and Tomorrow
and Tomorrow (reissues)
4. Sunn 0))): Black One
5. Residual Echoes: Phoenician Flu and Ancient Ocean
6. Gris Gris: For the Season
7. Boredoms: Sea Drum
8. Six Organs of Admittance: School of the Flower / August
Born
9. Bonnie Prince Billy and Matt Sweeney: Super Wolf
10. Gary Higgins: Red Hash (reissue)
What was the highlight of 2005 for either you personally or for
the band?
My marriage was number one. Also I bought this incredible Tuna
in Italy for about 50 cents a can - that was a highlight, I bought
about 20 cans of the stuff and managed to get it back into the
country buried in my suitcase, a highlight. The “Freebird”
sequence in The Devils Rejects was also a major highlight.
Arthur Fest for the band and European tour with Sir Lord Gozwin
at the wheel was a highlight. I finished the first album with
my other group with Ian Gradek and John Moloney called Howlin'
Rain – I’m very proud of that.
What was the low point of 2005 for you?
My life as an individual this year has been full of great things
and for the most part pretty smooth. But as a U.S. citizen and
a member of this country, this year has had a ton of low points
and moments of shame and horror as an American and the messes
that my country keep digging into. Too many to name. Every day
at my work I usually have NPR going in the background and every
day when they have their moment of silence for the fallen American
soldiers in Iraq – that is a low point of every day.
What are your hopes and plans for 2006?
We will see Utrillo's Colossal Yes solo album be released
in February, my Howlin’ Rain album released in May, new
Six Organs in late spring, new Comets on Fire in mid to late summer
and tours and good times to follow each.
If you could drop a copy of one album in the mailbox of
every American citizen, what album would it be?
Uh....Mars Hotel?!
Will the iPod, and its ability to combine all genres and
its emphasis on individual songs, render the album format irrelevant?
No. We have iPods with us in the Comets van on tour and we listen
to whole albums on it more than we do song mixes. It’s just
a great portable tiny container. And now that you can put porn
on it, it is perfect.
With Kate Bush, Gang of Four, Ray Davies, Scott Walker, and others
issuing new releases, what icon needs to return and make
another album?
Bill Fay. Jimmy Page?! Uh, shit I don’t know. What if I
say someone and their dead? That would be fucking embarrassing.
With the mainstream success of artists like Modest Mouse,
Death Cab for Cutie, Bright Eyes, The White Stripes, and Franz
Ferdinand, has the meaning of “indie rock” shifted?
Has the term lost all meaning?
Well, you’re not really “indie” any more if
you’re on a major label, are you? Nothing against bands
on major labels, but once you take that step then you are in the
mainstream arena and you are a commercial act. Not every indie
label’s first concern is commercial sales, but as far as
I know every major labels is, so that puts you in a different
position as a band - with other weights hanging over your shoulder
than just artistry. I always thought the term indie rock was really
pussy anyhow. Even being Nu Metal with the two dots over the u
is cooler than being “indie.” Or even “White
Rap” is a way cooler term than “indie.” Look
how fuckin’ puss those vowels look in the word even –
“indie” – where as the vowels in Nu Metal are
really sleek and the consonants are really tough looking. Same
with “White Rap.” That term sits on the page like
the fucking snow capped Rocky Mountain range.
If you couldn't be a musician, what other profession do
you think that you'd enjoy and why?
Maybe work at the fish store. Because I love fish.
www.cometsonfire.com
1/2006
|