Album Reviews

The Vaselines
Enter the Vaselines

Jul 03, 2009

The legions exposed to a glimpse of The Vaselines via Nirvana’s ragged crunch pop takes on “Son of a Gun” and “Molly’s Lips” from Incesticide were given a panoramic view when Sub Pop reissued the act’s entire discography with 1992’s The Way of the Vaselines: A Complete History.  The collection, which included their sole LP Dum-Dum, along with the Son of a Gun and Dying for It EPs, evinced an unlikely yet brilliant meeting of C86 effeteness with the roughshod, reckless strains of The Velvet Underground circa White Light/White Heat.

Classic Interviews

John Waters

Jan 01, 2007 Web Exclusive

As a true legend of outsider films, it should surprise no one that director John Waters also has a taste for the obscure and eccentric in music. Following 2004’s compilation CD A John Waters Christmas, his second set is a celebration of Valentine’s Day entitled A Date with John Waters, with a similarly unconventional set of songs designed to seduce you into submission.

Book Reviews

Robert Greenfield
A Day in the Life: One Family, the Beautiful People, and the End of the Sixties

Jul 01, 2009

Robert Greenfield’s A Day in the Life chronicles the rise and fall of two lovers so engrossed in various self-serving pursuits that they often bordered on sheer subversion.  Susan “Puss” Coriat and Tommy Weber spent their early lives sheltered by wealthy families with the good grace of beauty to carry them well beyond their means. By the late ’60s, their indulgence in drugs and living on the edge day-to-day shifted them into a world of oblivion and reckless abandon, which led to Puss’ suicide in 1971.

Comic Book Reviews

Batman: Mad Love and Other Stories
DC

Jun 17, 2009 Web Exclusive

Devotees of Batman: The Animated Series will no doubt recognize writer Paul Dini and artist Bruce Timm's seminal Batman one-shot, Batman: Mad Love. Mad Love and Other Stories' centerpiece recounts Harley Quinn's dark origin. This tale of obsessed love was later adapted into an episode of the series and finds Quinn at her emotional nadir; trying to impress her "Puddin'" (The Joker) by offing ol' Bats. Once a psychologist for Mr. J, her insanity reveals some surprisingly adult-oriented sexuality.

Interviews

Torchwood’s Eve Myles

Jul 03, 2009 Web Exclusive

When Welsh actress Eve Myles recently found out she was pregnant, she made sure that her baby was of this Earth. "We checked on the scan that it was a human and was not an alien," Myles jokes. Gwen Cooper, the secret government agent that Myles plays on the British sci-fi show Torchwood, was pregnant with an alien baby last season, so Myles jokes that her mother was especially pleased to know fiction wasn't bleeding over to reality.

Pleased to meet you

The Phantom Band

Jul 02, 2009 Winter 2009 - Anticipated Albums of 2009

From their nebulous beginnings as cut-up pranksters, employing Felliniesque stage prop stunts like stairmasters and smoke-breathing wolf heads as well as an extemporaneous set of band names (NRA, Robert Redford, Tower of Girls), the wildly eclectic Glaswegian sextet The Phantom Band have gradually metamorphosed into a proper band and settled on the appropriately elusive moniker. Now they’ve got a great debut LP, Checkmate Savage, to show for it.

Blog

Michael Jackson: The End of Kings

Jun 26, 2009 By Thomas Vale

Michael Jackson is gone, and public reactions are about evenly split between those focusing on his greatness and those focusing on his weirdness. He locked down both adjectives—redefined them, in fact, and will serve as a standard for both great and weird for a long time to come.

Live reviews

Grizzly Bear at the Wiltern Theatre in Los Angeles, CA June 19, 2009

Jul 01, 2009 By Michele Yamamoto

After spending an indeterminate amount of time—minutes? hours?—reading text messages from the audience scrolling across the screen above the stage, the house lights at the Wiltern came down. Brooklyn-based quartet Grizzly Bear strolled out and took to an unusual formation onstage: Chris Taylor (bass, clarinet, flute, sax, etc.) to the far left, Ed Droste (vocals, guitar, autoharp) to his right, Daniel Rossen (vocals, guitar, keys) next over, and Christopher Bear (vocals, drums) to the far right. With the band in full array, each member markedly contributed to the intricate unfoldings that fashion the Grizzly Bear repertoire.