From the reemergence of old flames, to falling prey to a crime, along with dabbling in both booze and nostalgia, this is a deliciously plot-packed episode.

With Call the Midwife embarking on its landmark 10^th season, clearly no one’s getting tired of graphically real-looking births and shivering fresh and gooey babies in London’s East End.

The second season starts three months after where we left off, but it might as well be years because The Morning Show is unrecognizable.

The second season of this part fast-paced half-hour comedy and part super-dark, slow-burning sinister drama picks up three weeks after where the first season left off. Miri, portrayed by series creator and co-writer Daisy Haggard, the newly paroled main protagonist is still trying to find her way back to some kind of life after her 18-year imprisonment, since she was a teenager.

The elevator pitch for The Other Two doesn’t sound like anything you would want to press play on. Two millennials siblings with flailing careers as an out-of-work actor and a stationary dancer navigate the overnight success of their YouTube sensation 13-year-old brother while their irrepressibly peppy mom helicopters over the three of them.

Nine Perfect Strangers, adapted from Liane Moriarty’s bestselling novel of the same name, hopes to replicate the success of HBO’s adaptation of Moriarty’s best-known book, Big Little Lies. The premise of Nine Perfect Strangers is simple. Nine guests show up at a tranquil retreat, aptly named ‘Tranquillum House,” located in the isolated countryside of Northern California. Each guest comes from a very different background with a widely divergent past.

“A picture is worth 1000 words” could be the subtitle for PBS’ six-part docu-series, Icon: Music Through The Lens, where the focus (pun intended) is turned on music photography.

“That’s a scream from 1619,” is how Living Color guitarist Vernon Reid describes Jimi Hendrix’s iconic 1969 rendition of the “Star Spangled Banner” played on his electric Stratocaster, pummeling with distortion but not void of gentler, melismatic flourish. The scene is featured on a particularly poignant moment of Watch the Sound with Mark Ronson, latest docu-series from Apple TV+. The six-part series traces the untold stories behind music creation and the happy accidents in new sounds brought forth by the birth of new technology.

Twenty Emmy nominations—the most ever for the first season of a comedy—either puts a lot of pressure on Season Two of the multiple award-winning Ted Lasso, or sets the series up to carry on its razor-sharp comedy and inherent pathos.