Jonah Feingold’s Dating & New York is a well-intentioned but uninteresting romantic comedy that attempts to mix traditional genre norms with millennial humor.

Lauren Hadaway’s directorial debut, The Novice, is a nuanced look at the dangers of competition.

All These Sons is the newest documentary from Bing Liu, the director of the Academy Award-nominated documentary Minding The Gap, and Joshua Altman.

To put the importance of Rockfield in context, it is where Queen recorded Bohemian Rhapsody, Stone Roses recorded their seminal debut album, Black Sabbath unintentionally invented heavy metal, Simple Minds became superstars and Oasis recorded their early (and best) albums.

Punk the Capital tracks the rise of D.C’s best-known (and often short-lived) punk acts, its most essential venues, the founding of Dischord Records, and the beginnings of the straight-edge movement.

Angelina Jolie’s Hannah isn’t merely stricken with survivor’s guilt—the (anti)hero of Those Who Wish Me Dead seems cursed with immortality.

So tense, to the point of fraying, is writer-director Robert Machoian’s domestic drama that it often borders on a thriller.

One of the most innovative and distinctive contemporary British filmmakers, releasing a psychedelic horror film?... Yes please.

Tiny Tim’s meteoric rise to superstardom—and inevitable fall back to obscurity—are the subject of Johan von Sydow’s documentary, Tiny Tim: King for a Day.