Resurrection, is a fascinating, if not fully realized, portrait of motherhood, revenge, and the act of reconciling with mistakes made in the past.

Clara Sola is a tender, personal drama from Nathalie Álvarez Mesén driven by a simmering tension.

Mrs. Harris Goes to Paris–based on Paul Gallico’s 1958 novel–is the quintessential Sunday matinee film.

Don’t Make Me Go is a by-the-books road trip dramedy undone by a bizarre and baffling ending

Director Scott Derrickson’s return to the horror genre after a brief foray into the Marvel universe (with 2016’s Doctor Strange) could not have been timelier.

An epigraph attributed to Adolph Hitler at the beginning of Bret Easton Ellis’ 1998-published novel Glamorama reads, “You make a mistake if you see what we do as merely political.” This line is especially haunting not only within the context of the book—a scathing satire of the fashion industry and political stage, in which a vapid male model is recruited into a particularly brutal global terrorist ring consisting of his colleagues—but also that of director Alison Klayman’s intriguing documentary White Hot: The Rise & Fall of Abercrombie & Fitch.

Coming down off the gunpowder rush of his 2016-released Western In a Valley of Violence, Ti West’s newest offering X returns in earnest to the studiously-realized retro horror of 2009’s The House of the Devil, and in doing so, the director has crafted a blood-soaked ’70s Americana fantasia, complemented by explosions of brutal chaos and surreal terror.

Director Matt Reeves’ much-anticipated reboot of this monumental franchise has not failed to please fans and persuade skeptics. The Batman possesses all the necessary traits of a modern American epic—a top-notch cast, sociopolitical relevance, explosive big budget action sequences, and a bold willingness to move its franchise in a fresh direction.

Claire Denis’ new film ‘Fire’ is a compelling exploration of desire and exhibition for great acting.