Covers albums are one thing. Stax interpretations of Beatles tunes are in a completely different universe.

Maryam Qudus’ sophomore effort as Spacemoth is a curious sonic pastiche of futuristic pop.

Since 2006, Fink (frontman Finn Greenall and band members Tim Thornton and Guy Whittaker) have released nine full-length albums, alongside multiple (excellent) live records, acoustic reinterpretations of full-length albums, a single album diversion into full-on blues, and some remix projects. The haul of Greenall’s discography brings about a career overview which would leave most artists highly satisfied and probably tempted to rest on their laurels.

Ten albums in, Muse return with a full-length which returns them to their stadium-rocking, wide-ranging hard rocking best.

There is something almost frightening about the visceral force and passion emanating from Glen Hansard as he and his incredible band tear through “Revelate” on this, the second volume of his new live album project.

Live at TTG Studios resurrects the VAULTernative label, the archival series that presents rare, obscure, and/or historically significant recordings from the Frank Zappa vault.

Grateful Dead’s fifth live album, Steal Your Face, presents the band during a “farewell” run at San Francisco’s Winterland Ballroom in October of 1974.

American Football fans must be incredibly patient souls.

There’s something deeply moving about the fragility in Neil Young’s voice these days. On his latest live release, As Time Explodes, you’re struck immediately by the rawness of it all.