Sounds From Mothland Volume 1 (Mothland) - review | Under the Radar Magazine Under the Radar | Music Blog for the Indie Music Magazine
Thursday, April 25th, 2024  

Various Artists

Sounds From Mothland Volume One

Mothland

Mar 29, 2021 Web Exclusive Bookmark and Share


Montreal’s musical underground is a hive of activity and at the heart of its extant is Mothland. Primarily a booking agency that also became a record label, the Mothland family are responsible for curating some of Quebec’s most forward-thinking events such as Distorsion Festival and the Taverne Tour. In between booking festivals, shows and tours, they’ve also assembled a mouthwatering roster of acts that traverses any number of genres one would care to mention. Not just content with promoting talent from within their own backyard, the Mothland alumni also includes artists from territories as far and wide as Israel (Gladys Lazer) and Belgium (Le Prince Harry) alongside several others from the United States.

With 2020’s live music calendar decimated by the global COVID-19 pandemic, Mothland set about showcasing their artists in other ways instead, starting with this excellent compilation starring 15 of their acts and associated artists. As an imprint whose emphasis is firmly entrenched in DIY ethics, the physical version of Sounds From Mothland Volume 1 comes as a cassette with its artwork designed by Pottery drummer Paul Jacobs, whose jaunty “Thanks” stands out as one of the highlights on this impressive compilation. It also proves a warming appetizer for Jacobs’ forthcoming debut solo record Pink Dogs on the Green Grass. Elsewhere, Spaceface—who feature Flaming Lips guitarist and keyboard player Jake Ingalls among their number—contribute the dreamy “Chemical Sea (Wash Me Away)”. While Montreal post-punks VICTIME‘s “Oui Merci” takes sartorial agit prop to another level. Californian duo Birds of Paradise deliver the luscious “Money Trees” while Montreal psych rock stalwarts The High Dials offer a timely reminder as to why they’re so highly revered in that genre with the delightful “Near Life Experience.”

Indeed, Montreal is well represented as one would expect. Whether it be errant shoegazers Yoo Doo Right, experimental post rockers Atsuko Chiba or progressive rock supergroup Black Legary, whose “Progenburger” is given the remix treatment by Sam Woywitka. His magic hands turn it into a hip-hop noisefest of sorts. However, the best is unashamedly saved til last—Brooklyn outfit Sunwatchers fusing everything from jazz to post punk via their panoramic, globally encompassing view that turns this live rendition of “Zygotic Boogie” into an apocalyptic finale fit for any occasion. Hopefully 2021 will see a change in fortunes for the live music industry. But if it doesn’t, Mothland can at least take comfort in the knowledge they possess one of the most exciting and adventurous rosters in music. (www.mothland.com)

Author rating: 8/10

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